The fourth and (so far) final installment in the Jaws series is often cited as one of the worst movies of all time. It was nominated for seven Golden Raspberry Awards and was made in about nine months, sure evidence of its lack of quality. It does feature some questionable if awful special effects and […]Read more "Jaws: The Revenge (1987)"
With 3D making yet another comeback in the 1980s, it stands to reason that Universal would want its piece of the action with Jaws 3. Initially, the plan was to make the third entry in the series a spoof with John Hughes and Todd Carroll among the names involved. Sadly, Universal balked and Joe Alves’ […]Read more "Jaws 3 (1983)"
Steven Spielberg wanted nothing to do with a sequel to Jaws, saying he was “done with the ocean” after the 1975 picture. Universal, on the other hand, wanted everything to do with a sequel and threw a ton of money at Jaws 2. The results are mixed, but there is a lot more shark in […]Read more "Jaws 2 (1978)"
There’s no denying the importance of Steven Spielberg’s Jaws. The 1975 motion picture has been credited with establishing the modern blockbuster template, with the focus on a succinct premise to draw big box office numbers. There is more to this beast than establishing Hollywood business models, though, and it remains a work of art worth […]Read more "Jaws (1975)"
Lewis Jackson’s Christmas Evil, originally released as You Better Watch Out, is a bizarre and chilling Christmas horror picture. Jackson’s screenplay is unexpectedly careful in its unwrapping of Christmas mythology, social concerns, psychological problems, and economic matters.Read more "Christmas Evil (1980)"
Given the catastrophic acid bath that has been 2016, it may be hard for some to get into the holiday spirit. 1997’s Jack Frost may be just the ticket, with its derision and weirdness and general disregard for Christmas cheer.Read more "Jack Frost (1997)"
Nick Murphy’s The Awakening gets off on the right foot, blending greying horror visuals with a strong protagonist to craft an absorbing set of possibilities. But Murphy and Stephen Volk’s screenplay steers things so entirely askew for the last third that the goodwill of this 2011 British movie is driven into the ditch.Read more "The Awakening (2011)"
Laborious to the point of being inert, Osgood Perkins’ I Am the Pretty Thing That Lives in the House is a film so obsessed with mood and tone that it forgets everything else. This 2016 picture is an exasperating watch on many levels, with Perkins’ screenplay failing to generate anything resonant or consequential.Read more "I Am the Pretty Thing That Lives in the House (2016)"
Matt Bettinelli-Olpin and Tyler Gillett of the filmmaking collective Radio Silence are responsible for Devil’s Due, a 2014 found footage horror piece that contends with a good old-fashioned Satanic birth. The screenplay by Lindsay Devlin bears a quarter of a million comparisons with Rosemary’s Baby, while the scrambling cinematography of Justin Martinez makes it feel […]Read more "Devil’s Due (2014)"
Lee Hae-young’s The Silenced is a lot of things at once. The 2015 South Korean picture features a screenplay by the director, with gorgeous cinematography by Kim Il-yeon and lush, spectral music by Dalparan.Read more "The Silenced (2015)"
B-movie stalwart Jim Wynorski directs Piranhaconda, a ridiculous jaunt clearly in the vein of other Syfy Channel outings like Sharktopus. This 2012 flick is produced by Roger Corman and features a screenplay by Mike MacLean, who coincidentally wrote the aforementioned Sharktopus.Read more "Piranhaconda (2012)"
Directed by Kevin O’Neill with a screenplay by Matt Yamashita, Sharktopus vs. Pteracuda is the sequel to 2010’s Sharktopus. It somehow manages to be more ridiculous than its predecessor, which is no small feat. Produced by Roger and Julie Corman, it also slips into the same pattern set by its toothy ancestor.Read more "Sharktopus vs. Pteracuda (2014)"
Produced by Roger Corman and directed by Declan O’Brien, the 2010 horror B-movie Sharktopus is every bit as ridiculous as it sounds. The screenplay by Mike MacLean does the job of merging a shark with an octopus for despicable purposes, while the cinematography of Santiago Navarrete navigates the bevy of beach beauties.Read more "Sharktopus (2010)"
For one reason or another, the merging of horror and the Christmas season seems a perfect fit. In Krampus, director Michael Dougherty creates a familiar moral fable out of the titular figure of Alpine folklore and the results are underwhelming.Read more "Krampus (2015)"
A chilling and astute horror picture, The Invitation is directed by Karyn Kusama from a screenplay by Phil Hay and Matt Manfredi. There’s a lot to mull over in this 2015 film and Kusama keeps the suspense building while laying the philosophical footing for a gut punch.Read more "The Invitation (2015)"
The good people at the Asylum deliver everything advertised with 2-Headed Shark Attack, a 2012 horror movie that just so happens to feature a shark with two heads. Christopher Ray is the director and the screenplay is by Edward DeRuiter and H. Perry Horton, with cinematography by Stuart Brereton.Read more "2-Headed Shark Attack (2012)"
Most people know what they’re getting when they check out a movie by the Asylum, so it’s fair to say that 2014’s Blood Lake: Attack of the Killer Lampreys more or less meets expectations. It is outlandish, stupid and full of lampreys. That is a spectacular statement in and of itself.Read more "Blood Lake: Attack of the Killer Lampreys (2014)"
Look, there’s nothing in Alexander Yellen’s Finders Keepers you haven’t seen before. The 2014 made-for-TV movie features a story by Jeffrey Schenck and a screenplay by Peter Sullivan and ticks off all of the boxes in the creepy-kid-has-creepy-doll subgenre.Read more "Finders Keepers (2014)"
Ti West’s 2013 film The Sacrament is an unsettling and distressing experience. It is presented in the found footage style, but its “documentary” presentation serves to excuse and explain the often theatrical mounting of the material.Read more "The Sacrament (2013)"
Jordan Galland’s Ava’s Possessions is a colourful and creative romp, but it’s also burdened to the point of self-destruction. The 2015 horror comedy is strengthened by a high-spirited aesthetic and imaginative cinematography by Adrian Peng Correia, plus it features an enjoyable set of performances.Read more "Ava’s Possessions (2015)"