The Brood (1979)

David Cronenberg’s The Brood is complex and grotesque. It is not a stretch to see it as a twisted companion piece to Kramer vs. Kramer, another 1979 film about divorce. Both outings feature a family turned asunder. Both feature bloody custody battles. But one, depending on perspective, is more realistic.

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Fast Company (1979)

After crafting two horror outings obsessed with parasites and diseases and orifices, David Cronenberg’s Fast Company veers in a whole different direction – kind of. This 1979 picture is a quirk in the system in a lot of ways, but in a lot of other ways it makes a certain kind of sense.

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Marauders (2016)

A cliché sandwich served with extra clichés and a dish of cliché on the side for dipping, Steven C. Miller’s Marauders actually has the makeup of a good thriller. This 2016 motion picture isn’t that bad given the territory and the screenplay by Michael Cody and Chris Sivertson doesn’t try to do too much. At […]

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Blood Father (2016)

Jean-François Richet directs the terse Mel Gibson vehicle Blood Father with eyes on reclamation and violence as cleansing force. The 2016 movie features a screenplay by Peter Craig and Andrea Berloff and is based on Craig’s novel of the same name. It casts a dry swath through America, painting a picture of contrast and hostility […]

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The Mechanic (2011)

There’s nothing new about Simon West’s The Mechanic. The 2011 picture is a remake of the 1972 film of the same name, which starred Charles Bronson and was directed by Michael Winner. This one puts Jason Statham in the Bronson role and features a screenplay by Lewis John Carlino and Richard Wenk.

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Dog Day Afternoon (1975)

The upheaval of the 1970s is the backdrop for Sidney Lumet’s brilliant Dog Day Afternoon, a 1975 crime drama that is as much about the personal as it is about the political. The picture features a screenplay by Frank Pierson and is based on P.F. Kluge’s 1972 Life magazine article “The Boys in the Bank,” […]

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The Battle of Algiers (1966)

Gillo Pontecorvo’s The Battle of Algiers is at once a scintillating form of entertainment and a dazzling historical document. The 1966 motion picture was shot on location by cinematographer Marcello Gatti and features a somewhat subdued score by Ennio Morricone, with the screenplay by Pontecorvo and Franco Solinas.

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Sin City (2005)

A mean and brutal piece of work, Sin City introduces a hermetically sealed universe full of rain and blood. This 2005 film is directed by Robert Rodriguez and Frank Miller and is based on the graphic novel of the same name, specifically Miller’s The Hard Goodbye, The Big Fat Kill and That Yellow Bastard.

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Ip Man 2 (2010)

Wilson Yip’s Ip Man 2 has many of the same goals as it 2008 predecessor. Its affection for the myth of its titular character is apparent, as it its desire to stand for the dignity of its characters. This 2010 picture is also fashioned as a tight, artistic martial arts epic and a historical stamp […]

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