Black Belt Jones (1974)

A year after Robert Clouse directed Bruce Lee in Enter the Dragon, he turned his attention the one and only Jim Kelly for the 1974 picture Black Belt Jones. Kelly had been in Enter the Dragon with Lee and the filmmaker picked up on his charisma, but it doesn’t exactly translate well to his own […]

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The Big Boss (1971)

Lo Wei’s The Big Boss is often considered the first major film for the legendary Bruce Lee. Also known as Fists of Fury, this 1971 Hong Kong martial arts flick certainly does its part to showcase Lee and features plenty of ass-kicking action. Alas, much of the conversation about The Big Boss generally has to […]

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Film Noir Friday: Impact (1949)

Directed by Arthur Lubin from a story by Jay Dratler, Impact is kind of a middling film noir. There are plenty of interesting elements, but there’s also a great deal of padding and the plot is a little too telegraphed. There are many noir tropes, including the femme fatale and the false accusations, but it’s […]

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Deliverance (1972)

Directed by John Boorman and based on the novel of the same name by James Dickey, Deliverance is another one of those essential 1970s films. Often considered among the first of the survival pictures, this 1972 movie can be interpreted a number of different ways but seems to carry very sure themes about civilization, survival […]

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Vanishing Point (1971)

Freedom dies an awful lot in the films of the 1970s. With the 1960s in the rearview mirror, it’s unsurprising to find a great deal of crime and punishment in the cinematic decade that followed. Vanishing Point is yet another example, like Dirty Mary, Crazy Larry, Straw Dogs and even Death Wish, of the changing winds.

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The French Connection (1971)

William Friedkin’s crime thriller The French Connection is a crackerjack of a movie. It’s the first R-rated flick to win the Oscar for Best Picture and it’s one of the finest films in the genre. Mostly noted for its critical and downright dazzling chase sequence, this outing is actually a layered exercise in moving a […]

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Death Wish (1974)

Like most exploitation films, the moral waters of Death Wish are muddy. It’s tempting to view this 1974 vigilante revenge picture as an emboldened NRA fantasy, but there’s a little more to it than that. Directed by Michael Winner, there’s certainly a case to be made for the “good guy with a gun” mentality of […]

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Underworld: Awakening (2012)

The fourth entry in the Underworld series is a breezy, hard-edged action horror picture that gets in and gets out in a mere 88 minutes. Underworld: Awakening is the slightest movie in the series. It’s also lean and mean, a striking and almost Nordic example of cinematic efficiency. It perhaps stands to reason that its […]

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Underworld: Evolution (2006)

As the second entry in the series, 2006’s Underworld: Evolution certainly marks a progression from the 2003 original. It takes the compelling backstory, with its meticulous mythology, and opens things up considerably with a more satisfying finished product. This is bloody, sexy B-movie stuff, the exact sort of motion picture required for this kind of […]

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Underworld (2003)

There’s a lot of walking and movement in Underworld, the 2003 action horror movie directed by Len Wiseman, and in a lot of ways that’s the best of what this outing brings to the table. Sure, there’s a story about vampires fighting werewolves and there’s a pretty impressive mythology backing the whole thing. But for […]

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Mean Girls (2004)

There’s a good mix of sour and sweet to be found in Mean Girls, the 2004 comedy from director Mark Waters. This is kind of an SNL film in a number of ways, with Lorne Michaels producing and Tina Fey penning the screenplay. It even features a horde of stars from the show, including Fey, […]

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Tammy (2014)

Directed by Ben Falcone, Tammy isn’t as bad as its reputation suggests and yet it still has trouble finding any footing. It contains an admirable working class quality in that it doesn’t rely on conventional standards to float its conventional road trip comedy clichés, but there’s still a lot of trouble in terms of cohesion […]

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42nd Street (1933)

Directed by Lloyd Bacon and featuring choreography by the great Busby Berkeley, 42nd Street is a scintillating backstage musical that builds to a tremendous set of production numbers for its last 20 minutes or so. Bacon’s picture was nominated for a Best Picture Oscar in 1934 and features music by Harry Warren and Al Dubin.

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