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Posts from the ‘1981’ Category

Friday the 13th Part 2

Friday the 13th Part 2 picks up where Friday the 13th left off and brings us closer to the iconic Jason Vorhees, introducing him as the main antagonist and terrorist of Crystal Lake. With the original movie enjoying some success in 1980, Paramount Pictures decided to build on it by releasing Part 2 a year later. The events of the film take place some five years after the events in the first picture, though.

Friday the 13th Part 2 is a better film than its predecessor. The characters are slightly more interesting and the movie is more suspension, Harry Manfredini’s insistent “ch-ch-ch” score aside. It’s still not an overly creative venture, but the bones of a fairly compelling set of circumstances do make themselves known by the time the events play out.

We start by getting reacquainted with Alice (Adrienne King) from the first picture. She’s trying to put her life back together and we find her tossing and turning to a nightmare about what happened when she tangled with Pamela Vorhees (Betsy Palmer). Alice soon discovers that the nightmare isn’t over, however, when she’s confronted by Pamela’s very alive son, Jason (Steve Daskawisz/Warrington Gillette).

Five years later, a new crop of camp counsellors are getting set to reopen Camp Crystal Lake. They’re in training, whatever that means, and they basically party and pair off to have sex. The legend of Jason is coursing through the crowd of teens, but nobody takes it seriously except Ginny (Amy Steel). As the teens get bumped off one by one, Ginny starts to piece together the real story of Jason Vorhees.

Friday the 13th Part 2 really fiddled with the intentions of the series. Originally planned as a mere set of scary movies to be released as “events” for teens to flock to once a year at the theatre, the character of Jason Vorhees really began to emerge. In truth, he wasn’t supposed to be a part of the rest of the series after the first movie. We all know how that worked out. Friday the 13th Part 2 helps the man-beast emerge as a sort of unstoppable force, although there’s still a thread of vulnerability and even clumsiness to the monster.

Logistically, the film is not all there. Director Steve Miner does try to evoke an amount of suspense and he succeeds in many places, using Peter Stein’s cinematography to distance us from the action. The camera often sits in the woods or off to the side of the road, observing the characters from a distance. The visuals are, at least at first, often shrouded or obscured. We don’t see exactly what’s going on, but we know someone sinister objects to all the sexy cavorting.

When the killing starts, it’s not overly inventive. And it doesn’t make a lot of sense for Jason to drag bodies around like he does. Why choke a guy near a tree and then drag him inside to stuff him in a closet? These sorts of questions aren’t particularly meant to be asked, I know, but there’s always a thread of nonsense in slasher movies that leaves a lot of questions. Isn’t Jason just making a lot of extra work for himself? Why stand on such a rickety chair?

The shocking ending is almost identical to what happened at the end of the original flick, so it’s clear that Friday the 13th Part III is set to follow up on it. Friday the 13th Part 2 does a nice job setting things up and it is a rather suspenseful little treat, but it still lacks originality and wallows in repetitive killing. Thanks to the performances and one Marta Kober, however, this little nugget of slasher trash is worth a look.

Trailer:

Halloween II

The second entry in the expansive Halloween series picks up right where the original John Carpenter classic left off and revs the engine considerably. Halloween II ramps up the blood and gore and offers more of Michael Myers than the 1978 original. At the time, it was seen as a pointless attempt to cash in on the narrative. But as the years passed, critical opinion softened and Halloween II isn’t quite so reviled today.

I enjoyed the movie even though it marked a decided departure from the first flick. Halloween II really is about furthering the impression of this plodding, unstoppable maniac more than it is about anything else. Carpenter and Debra Hill serve as writer and producers, while Rick Rosenthal is the director. The change-up behind the camera isn’t all that noticeable, however, as Rosenthal still sticks the same formula. Dean Cundey, the same cinematographer from Halloween, helps matters with his frightening angles.

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The Evil Dead

The Evil Dead

Sam Raimi’s The Evil Dead is somewhat of a horror cult classic and has been emulated but never duplicated in several horror films since. This 1981 film was incredibly controversial for its amount of horror and gore. This led to the original version of the film being banned in several countries around the world, including Finland, Germany, and Iceland. In Germany, the film was a hit on the black market, as original copies were seized by government authorities and pirated copies became all the rage. The uncut, original version of the film did not hit German markets until 2001, nine years after a heavily edited version was released.

The Evil Dead was turned down by several American film distributors because of the violence and content. Eventually, it was picked up by a European company and distributed in October of 1981. Raimi made the film with a budget of just $375,000. After securing the budget, he and his crew headed for an abandoned cabin in the woods in Tennessee and shot the film over a period of four days. During the four day shoot, many members of the cast or crew left the production, causing Raimi to use stand-ins for a number of scenes. Two of the actors (Richard DeManincor and Theresa Tilly) used different stage names (Hal Delrich and Sarah York) because they were members of the Screen Actors Guild and didn’t want to be penalized for participating in a non-union production.

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Raiders of the Lost Ark

Raiders of the Lost Ark

With Indiana Jones and the Kingdom of the Crystal Skull on its way in 2008, I thought it was time to take a look back at my favourite series of adventure films ever. Raiders of the Lost Ark started it all, of course, back in 1981. With Steven Spielberg in the director’s chair and George Lucas producing and writing, Raiders of the Lost Ark was born out of a desire to create the ultimate adventure film and give the genre a boost of energy and gutsy bravado. The idea was to take all of the conventions of the adventure genre and blow them up to create a big-time film and, with Raiders of the Lost Ark, it happened in spades. The film started a franchise of Indiana Jones films and injected new life into the genre, starting an avalanche of like-minded films that continue to this day.

The story behind Raiders of the Lost Ark began way back in 1973 as George Lucas had written a story called “The Adventures of Indiana Smith.” The idea, much like his idea with Star Wars, was to recreate the feel of the old-fashioned 1930s serials. The idea was discussed and tossed around with various Hollywood people for a while. Eventually, Lucas went to Hawaii to escape the throng of attention he was receiving from the release of Star Wars. He met his friend Steven Spielberg there, who was taking a holiday after completing Close Encounters of the Third Kind. Lucas and Spielberg, so the story goes, were building a sand castle when Spielberg mentioned that he wanted to direct a James Bond. Lucas, ever the opportunist, spoke up with his idea for a hero that was better than Bond and the idea for Raiders of the Lost Ark took shape. Indiana Smith became Indiana Jones and the project began.

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Time Bandits

Time Bandits

Terry Gilliam directs and produces Time Bandits, the 1981 comedy-fantasy film that follows the story of time-traveling dwarves and the little boy that joins them. Gilliam wrote the screenplay with Michael Palin and was put together by George Harrison’s Handmade Films. This would be the third film Gilliam would direct, the first two being Monty Python and the Holy Grail and Jabberwocky. This would be the first film in which Gilliam would create more of his own niche and would lean less on the Monty Python-esque feel of the first two films and provide his own groundwork. While Time Bandits surely does contain a good amount of dark irreverent humour and some nods to Python-humour, it is more of a standalone film that makes its own way.

Time Bandits follows a bright 11-year old boy named Kevin (Craig Warnock) as he is constantly ignored by his parents. One night, Kevin is awakened by a noise coming from his wardrobe. A knight on horseback emerges and takes off through one of Kevin’s walls. The next night, Kevin is determined to find out what happened and goes to bed early with a flashlight. Sure enough, the wardrobe bursts to life again and this time several dwarves come out. Kevin and the dwarves, using a very special map, begin to travel through time using time portals from the map. The dwarves are thieves that were supposed to use the map to help the Supreme Being repair all of the holes in the space-time fabric, but instead they’ve decided to profit from the possibility. Kevin is the voice of reason and, soon enough, they find themselves in a variety of adventures with various historical figures.

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