1940


the-great-dictator

Timely, as always, was Charles Chaplin:

I’m sorry, but I don’t want to be an emperor. That’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone if possible – Jew, Gentile – black man – white.

We all want to help one another. Human beings are like that. We want to live by each other’s happiness – not by each other’s misery. We don’t want to hate and despise one another. In this world there’s room for everyone and the good earth is rich and can provide for everyone.

The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men’s souls – has barricaded the world with hate – has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost.

The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in man – cries for universal brotherhood – for the unity of us all. Even now my voice is reaching millions throughout the world – millions of despairing men, women, and little children – victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say: ‘Do not despair.’ The misery that is now upon us is but the passing of greed – the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish.

Soldiers! Don’t give yourselves to brutes – men who despise you and enslave you – who regiment your lives – tell you what to do – what to think and what to feel! Who drill you – diet you – treat you like cattle, use you as cannon fodder. Don’t give yourselves to these unnatural men – machine men with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts. You don’t hate, only the unloved hate – the unloved and the unnatural!

Soldiers! Don’t fight for slavery! Fight for liberty! In the seventeenth chapter of St Luke, it is written the kingdom of God is within man not one man nor a group of men, but in all men! In you! You, the people, have the power – the power to create machines. The power to create happiness! You, the people, have the power to make this life free and beautiful – to make this life a wonderful adventure. Then in the name of democracy – let us use that power – let us all unite. Let us fight for a new world – a decent world that will give men a chance to work – that will give youth a future and old age a security.

By the promise of these things, brutes have risen to power. But they lie! They do not fulfil that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfil that promise! Let us fight to free the world – to do away with national barriers – to do away with greed, with hate and intolerance. Let us fight for a world of reason – a world where science and progress will lead to all men’s happiness. Soldiers, in the name of democracy, let us unite!

Hannah, can you hear me? Wherever you are, look up Hannah. The clouds are lifting! The sun is breaking through! We are coming out of the darkness into the light. We are coming into a new world – a kindlier world, where men will rise above their hate, their greed and their brutality. Look up, Hannah! The soul of man has been given wings and at last he is beginning to fly. He is flying into the rainbow – into the light of hope, into the future, the glorious future that belongs to you, to me, and to all of us. Look up, Hannah… look up!

10/10

The Grapes of Wrath

Directed by John Ford (Stagecoach, Drums Along the Mohawk), 1940’s The Grapes of Wrath is a film adaption of John Steinback’s novel worked into a screenplay by Nunnally Johnson. The film stars Henry Fonda (12 Angry Men, The Tin Star) as Tom Joad, the amazing Jane Darwell as Ma Joad, John Carradine as Casy, and a host of others to round out the Joad family and supporting characters. The film would pick up two Oscars, one for Best Actress in a Supporting Role (Darwell) and one for director John Ford. It was nominated for Best Actor in a Leading Role (Fonda), Best Film Editing, Best Sound Recording, Best Screenplay, and Best Picture. In 1963, The Grapes of Wrath won a Blue Ribbon Award for Best Foreign Language Picture. It also won the 1940 USA National Board of Review prize for Best Picture.

The Grapes of Wrath is John Ford’s masterpiece, a film that captures in on the social protest themes of some of Ford’s other films instead of the magic of the Westerns by which he was so well known. Ford, instead, tells a sweeping story of tragedy and epic struggle against “the man”. He pulls it together in lush black and white cinema, moving characters and pulling in the audience like a master at work. The direction is truly something as the subtle touches pull on the heartstrings of the viewer while the grandeur of it all do the same.

Henry Fonda is tremendous as Tom Joad, bringing out the “good man” character to great levels. He really urges the audience through the picture, rising up to injustice and delivering classic lines with such intensity and grace that you almost forget you’re watching a film.

Jane Darwell as Ma Joad deserved every accolade she received for this film. She is simply mesmerizing as the matriarch of the Joad family, struggling to keep her precious family together and supporting her son in all he does. Ma Joad is given tremendous grace by Steinback in the novel and Darwell pulls it off perfectly, playing Ma Joad to a tone that many would select to overdo. Her consistency and emotional range plays out through a subtlety that is rare in cinema.

The film is packed with moving dialogue that captures the plight of the Joad family through this historical event and moves the viewer through the time as if they were perched on the back of the family jalopy and skittering across country looking for work. It is the type of film that both creates anger against injustices and creates a feeling of joy for the uprising of the human spirit in the face of tragedy and hardship. The time is captured beautifully and the mood is stunningly dark and yet victorious.

The Grapes of Wrath is a true film classic in every sense of the word and perfectly captures the time in a sensibility that is owed to Ford’s tremendous direction, the cast’s tremendous work with the characters, and Steinback’s legendary novel of the Joad family.

10/10