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	<title>Comments on: Sin City</title>
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	<link>http://canadiancinephile.com/2008/05/12/sin-city/</link>
	<description>&#34;Cinema is the most beautiful fraud in the world.&#34; - Jean-Luc Godard</description>
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		<title>By: Top 20 Comic Book Movies (#10 &#8211; 1) &#124; Canadian Cinephile</title>
		<link>http://canadiancinephile.com/2008/05/12/sin-city/#comment-3277</link>
		<dc:creator><![CDATA[Top 20 Comic Book Movies (#10 &#8211; 1) &#124; Canadian Cinephile]]></dc:creator>
		<pubDate>Sun, 13 Nov 2011 09:38:47 +0000</pubDate>
		<guid isPermaLink="false">http://cinephile.wordpress.com/?p=740#comment-3277</guid>
		<description><![CDATA[[...] 5. Sin City [...]]]></description>
		<content:encoded><![CDATA[<p>[...] 5. Sin City [...]</p>
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		<title>By: 300 &#171; The Canadian Cinephile&#039;s Reviews</title>
		<link>http://canadiancinephile.com/2008/05/12/sin-city/#comment-2613</link>
		<dc:creator><![CDATA[300 &#171; The Canadian Cinephile&#039;s Reviews]]></dc:creator>
		<pubDate>Tue, 29 Mar 2011 10:14:50 +0000</pubDate>
		<guid isPermaLink="false">http://cinephile.wordpress.com/?p=740#comment-2613</guid>
		<description><![CDATA[[...] look of 300 is fantastic. Snyder has obviously seen 2005&#8242;s Sin City and knows that you can&#8217;t just create a &#8220;comic book movie&#8221; when you&#8217;re [...]]]></description>
		<content:encoded><![CDATA[<p>[...] look of 300 is fantastic. Snyder has obviously seen 2005&#8242;s Sin City and knows that you can&#8217;t just create a &#8220;comic book movie&#8221; when you&#8217;re [...]</p>
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		<title>By: The Crow &#171; The Canadian Cinephile&#039;s Reviews</title>
		<link>http://canadiancinephile.com/2008/05/12/sin-city/#comment-2570</link>
		<dc:creator><![CDATA[The Crow &#171; The Canadian Cinephile&#039;s Reviews]]></dc:creator>
		<pubDate>Wed, 09 Mar 2011 11:53:46 +0000</pubDate>
		<guid isPermaLink="false">http://cinephile.wordpress.com/?p=740#comment-2570</guid>
		<description><![CDATA[[...] to it, but it&#8217;s now been outdone by other more bleak, visceral experiences (Sin City, Watchmen). The hopelessness translates well enough, but Proyas doesn&#8217;t really go for the [...]]]></description>
		<content:encoded><![CDATA[<p>[...] to it, but it&#8217;s now been outdone by other more bleak, visceral experiences (Sin City, Watchmen). The hopelessness translates well enough, but Proyas doesn&#8217;t really go for the [...]</p>
]]></content:encoded>
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		<title>By: Sky Captain and the World of Tomorrow &#171; The Canadian Cinephile&#8217;s Reviews</title>
		<link>http://canadiancinephile.com/2008/05/12/sin-city/#comment-1615</link>
		<dc:creator><![CDATA[Sky Captain and the World of Tomorrow &#171; The Canadian Cinephile&#8217;s Reviews]]></dc:creator>
		<pubDate>Fri, 13 Aug 2010 12:03:30 +0000</pubDate>
		<guid isPermaLink="false">http://cinephile.wordpress.com/?p=740#comment-1615</guid>
		<description><![CDATA[[...] All in all, Sky Captain and the World of Tomorrow was a film intended to be enjoyed on a certain level of style. That style, for me, was confined to sepia and soft tones that belied a few impressive action sequences. Those action sequences, however, become a whole lot less impressive later on when you realize that nobody was actually running from anything, no-one was in a real setting other than a factory in London in front of a blue-screen and nobody was really trying all that hard save for the computer-techs back at the office. While realism is certainly not to be the order of the day in a sci-fi film such as this, the style can&#8217;t really cover up for the lack of substance. For CGI backdrop magic, I&#8217;ll take the well-scripted, well-acted and more profoundly entertaining Sin City. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] All in all, Sky Captain and the World of Tomorrow was a film intended to be enjoyed on a certain level of style. That style, for me, was confined to sepia and soft tones that belied a few impressive action sequences. Those action sequences, however, become a whole lot less impressive later on when you realize that nobody was actually running from anything, no-one was in a real setting other than a factory in London in front of a blue-screen and nobody was really trying all that hard save for the computer-techs back at the office. While realism is certainly not to be the order of the day in a sci-fi film such as this, the style can&#8217;t really cover up for the lack of substance. For CGI backdrop magic, I&#8217;ll take the well-scripted, well-acted and more profoundly entertaining Sin City. [...]</p>
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